Abrahams' carefully poised and enigmatic figures follow a tradition in British sculpture that began in the 1950s with sculptors such as Armitage, Butler, Chadwick, Frink and Meadows. The exaggeration of...
Abrahams' carefully poised and enigmatic figures follow a tradition in British sculpture that began in the 1950s with sculptors such as Armitage, Butler, Chadwick, Frink and Meadows. The exaggeration of some features and the repression of others, unified by formal and textural qualities, give his sculpture a personal and expressive quality.