Harold Ambellan American, 1912-2006

About
“I did a lot of experimentation with forms and lines… I have studied the composition and love this investigation. I work with lines and movement in my work. For me, you have to study and try and make a lot of things to find a way of expressing things worth looking at, [to] do things that draw a response from the viewer, that are either pleasant or interesting or exciting.”

Harold Ambellan devoted his life to the study of the human form: its lines and curves, its movements and actions, and the sensuality of both single and coupled figures. Although his work is fundamentally instinctive, it speaks of a language that we intuitively recognise and feel connected to. It is because of this that Ambellan saw his art as being for the everyman, taking pleasure in the fact that his work was accessible and recognisable to all. He would often draw on discarded scraps of paper, taking inspiration from the world around him, whilst being firmly grounded in an understanding of art history and wider visual culture.

 

Born in Buffalo, New York, Harold Ambellan (1912 – 2006) was one of the many American artists to benefit from the Federal Art Project during the 1930s, a huge programme to fund the Visual Arts in the United States. He remained buoyed by the opportunities this provided; and in 1954 he exiled to France, continuing his meticulous exploration of the human form there for the remainder of his life.

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